{"id":190636,"date":"2025-05-21T10:32:56","date_gmt":"2025-05-21T17:32:56","guid":{"rendered":"https:\/\/www.castingnetworks.com\/?p=190636"},"modified":"2025-05-22T13:19:15","modified_gmt":"2025-05-22T20:19:15","slug":"5-mistakes-to-avoid-at-in-person-auditions","status":"publish","type":"post","link":"https:\/\/www.castingnetworks.com\/news\/5-mistakes-to-avoid-at-in-person-auditions\/","title":{"rendered":"5 Mistakes to Avoid at In-Person Auditions"},"content":{"rendered":"\n<p>Despite being far less prevalent in the industry, in-person audition skills are vital for working actors. And perhaps partially because of the rise in self-taped auditions, those skills are beginning to rust. So whether you\u2019re just starting or looking to blow the dust off some old skills, here are a few things to avoid in the room.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong><em>Insights: Quick In-Person Audition Tips for Actors<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Always position your eye-line so your full face is visible to the camera or casting team.<\/li>\n\n\n\n<li>Never say \u201cand scene\u201d or apologize at the end; simply finish the moment, then say \u201cthank you\u201d if needed.<\/li>\n\n\n\n<li>Stay in character through the final beat \u2014 don\u2019t drop out early or break focus before the scene is naturally complete.<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Avoid Any Eye-Line That Obscures the 8&#215;10&nbsp;&nbsp;<\/h3>\n\n\n\n<p>I recently helped run a set of auditions where several actors chose to establish their eye line at a right angle to the table, meaning casting professionals could see only half of their faces. Whether from nerves or an attempt to make a bold choice, this is self-defeating. <\/p>\n\n\n\n<p>Remember, the point of the audition is not necessarily to do the scene exactly as you would on the day. The point of the audition is to book the gig. <\/p>\n\n\n\n<p>To that end, directors and casting directors need to see who they\u2019re hiring. When you walk into the room, note where the camera is. There will likely be one, for any producers unable to be in the room. You want to ensure your eye-line is close to that, so your full face is visible. <\/p>\n\n\n\n<p>If there is no camera, any eye line that brings your face in full view of those behind the table will do.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Don&#8217;t Incorporate the Auditors into Your Audition<\/h3>\n\n\n\n<p>Unless otherwise directed, most auditors do not want to be your involuntary scene partner. If you are looking directly into their eyes, part of their minds is going to be on their reactions and comfort level instead of keeping the focus on you. <\/p>\n\n\n\n<p>If you don\u2019t have a scene partner or reader for a certain character in the scene, the safest bet is to choose a point of focus that keeps your face visible and invest in that imaginary reality.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Never Say \u201cAnd Scene\u201d <\/h3>\n\n\n\n<p>This goes for any closing line other than \u201cThank you.\u201d <\/p>\n\n\n\n<p>I saw two actors do this recently, likely out of nerves or an attempt at an icebreaker. Those on the other side of the table likely don\u2019t know you or your sense of humor. \u201cAnd scene\u201d or other commentary on your performance risks looking green, unprofessional or lacking in confidence.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>Thinking about joining Casting Networks?\u00a0<a href=\"https:\/\/app.castingnetworks.com\/login\/signup\/TALENT?_ga=2.43125222.2103773832.1721048373-1030609057.1713483804&amp;_gl=1*1vfcgsy*_gcl_au*MTk4MzczMDgyNy4xNzIxMzA4NzY4*_ga*MTAzMDYwOTA1Ny4xNzEzNDgzODA0*_ga_5V50WCP8LX*MTcyMTMyMTIwOS4zMDYuMS4xNzIxMzIxMjM5LjAuMC4zMTgwMTM3MQ..&amp;post_type=news&amp;p=135120&amp;preview=true\" target=\"_blank\" rel=\"noreferrer noopener\">Sign up<\/a>\u00a0for a free trial today!<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Avoid Falling Out of Character Before the Beat Finishes <\/h3>\n\n\n\n<p>Don\u2019t bail on the final beat. Hold the character for a few seconds and finish reacting to whatever just happened. <\/p>\n\n\n\n<p>When you can feel the beat naturally come to a resolution, you can drop character and shift your attention to those behind the table. Again, \u201cThank you\u201d is fine if you feel the need to say something in conclusion, just make sure you\u2019re not rushing through the final moment of your performance out of nerves.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Never Apologize for Anything That Happened During the Audition<\/h3>\n\n\n\n<p>I know the impulse is strong for actors who are new, nervous or are dealing with something unexpected. Many of us are socialized to apologize as default, but this is neither the time nor the place. <\/p>\n\n\n\n<p>Apologizing for your material, appearance, performance, etc. communicates a lack of faith in your ability.&nbsp;<\/p>\n\n\n\n<p>There are many schools of thought on what not to do in an in-person audition. It may seem overwhelming at first, but avoiding most of these becomes second nature with experience. <\/p>\n\n\n\n<p>Here&#8217;s a quick recap of the five things you should avoid in your in-person auditions:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Don&#8217;t obscure your eye line. Keep your eye line so your full face is visible to casting and\/or the camera; avoid turning at sharp angles.<\/li>\n\n\n\n<li>Don\u2019t make auditors your scene partners\u2014choose a focal point that keeps your face open but doesn\u2019t force direct eye contact with the panel.<\/li>\n\n\n\n<li>Never say \u201cand scene\u201d or similar phrases at the end; it can come off as unprofessional.<\/li>\n\n\n\n<li>Don\u2019t rush out or break character before the scene fully resolves. Hold the final beat in character.<\/li>\n\n\n\n<li>Avoid apologizing for your audition in any way, as it signals a lack of confidence.<\/li>\n<\/ul>\n\n\n\n<p>Once you start getting into the nitty gritty of headshot aesthetics and attire, remember that \u201crules\u201d can change, evolve and follow industry trends. There may be cases where circumstances demand you break a rule that was drilled during your early training. Treat these as guidelines, and use your best judgment.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><b>You may also like:<\/b><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.castingnetworks.com\/news\/how-to-avoid-artist-burnout\/\">How to Avoid Artist Burnout<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.castingnetworks.com\/news\/the-dangers-of-self-deprecation-be-your-best-advocate-from-the-inside-out\/\">The Dangers of Self-Deprecation: How to Be Your Best Advocate<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.castingnetworks.com\/news\/what-to-do-when-you-dont-feel-your-work-is-good-enough\/\">What to Do When You Don\u2019t Feel Your Work is Good Enough<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Despite being far less prevalent in the industry, in-person audition skills are vital for working actors. And perhaps partially because of the rise in self-taped auditions, those skills are beginning to rust. So whether you\u2019re just starting or looking to blow the dust off some old skills, here are a few things to avoid in [&hellip;]<\/p>\n","protected":false},"author":53,"featured_media":190645,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cn_email_teaser":"","footnotes":""},"categories":[727,722,720],"tags":[],"class_list":["post-190636","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-advice-filmmakers-creators","category-auditions","category-your-career"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>5 Mistakes to Avoid at In-Person Auditions<\/title>\n<meta name=\"description\" content=\"Are your in-person audition skills rusty? 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An apprentice company graduate of the Atlanta Shakespeare Co., she has worked steadily in Atlanta's theatre scene, as well as indie film, TV, commercial and voice over. She has written for Casting Networks since 2013, and is currently workshopping her latest written work: The Mad Hatterpillar and Her Many Heads, a new puppet musical (Book and Lyrics by Rachel Frawley, recent runs at Out Front and Stage Door Theatre in Atlanta, three-time Suzi nominated). Rachel is SAFD certified in four weapons and counting. She\u2019s narrated over 40 audiobooks, and was a producer for the Weird Sisters Theatre Project (2017\/2018). She has taught and directed acting camps, classes and master classes for theatres and studios across Atlanta. She has worked as an intimacy professional, is certified in Mental Health First Aid and is a certified Artistic Mental Health Practitioner. 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